Poems of Michael Schaffner

Michael Shaffner, GDHS 1972 submitted these published works and we are deeply appreciative. Michael is also the author of “War Boys” a novel roughly based on some of his experiences in Subic. -Editor

Contents

USN

Run Spot, Run

Lost in Yokohama

Victory at Sea, Epilog

Children of the Cold War

The Destroyer Evans

Accidental Crash of an F-4 Phantom

Post 360 Does the Death March

Jungle Environmental Survival Training

Corregidor

Phobia

Fruit Bats at Dusk

Venereal Disease

Hitching in Subic

Jungle in the Rain

Counterfeit War Poem for Martin

Carillo’s Legs

Sunrise on the Navy Yard

Arlington Cemetery

Autobiography

Chopstick Holders

Her Friends Called Her Pat

Acknowledgements


USN

 

So common it passed unnoticed then,

the easy confidence over the salt planet glinting

the natural American supremacy of

Innocents Abroad.  So this is what we have

that is new:  viewed mostly from foreign shores

the majesty of waves, and there in the immeasurable

distance a cloud where the horizon should lie,

sky and water split only by ships

of the same color, subtly bristled

as insects poised on a translucent membrane

of diesel and plutonium.

Clouds come like galleons.

 

In summer when the rains came I

heard the booms that might have been the war.

My dad got a job overseas I told

the faded characters some of whom I think

might have become friends had time not

transported us to different arenas.

I did not doubt my role then, as clear

as gold on dark broadcloth.

Now only nothing

seems clearer, how the spark of a wave

translates itself into dress whites or the sun

over the family farm long since sold

to its last inch of dust and the eyes

 

of those we sometimes still called natives

watching us for our favor or disgust,

as we watched the sea, the changeling tide.


Run Spot, Run

 

In Yokohama Sister Teresa

taught the boys of Sancta Maria school

their first grade cursive writing and their math.

Half American and half Japanese,

we sat similarly stiff at wooden desks —

seats joined to the desks in back — and day dreamed

about cowboys or our favorite monsters.

 

Like Kappa, the water sprite:  hollow-crowned,

green with weedy hair, the small physique

incredibly strong.  Pretending to want

to play, Kappa would drag your clueless soul

flopping like a deckbound fish to his home

in icy country creeks.  You couldn=t run,

but if you jarred the water from his head

he=d go limp and offer you one good wish.

 

There were certain possibilities there,

but mainly fear.  And not just in the streets,

as you walked home past ditches and canals,

but even here in class, just thinking about it.

 

And now Teresa teaches us to read,

her black robes swirling on a hidden draft,

her starched white cowl surrounding pretty lips.

 

In a kind of awe we turn to Dick and Jane,

leaving behind the fish stalls and tile roofs,

tatami floors, paper walls, bamboo groves

in the suburbs, and honey bucket men

for this:  houses set apart on sprawling lawns,

Crayola-colored firemen and cops

protecting happy kids on sterile streets.

 

So clean, so bright, these charming teachers= lies.

Run Spot, run.  Kappa=s coming right behind you.


Lost in Yokohama

 

My father, younger than I am now,

wears this Hawaiian shirt and khaki pants,

impersonating a civilian, and looms

benevolently over the shopkeepers —

an Elvis among elves, streetcars, fishstalls,

and the sudden blooms of silk kimonos.

 

I hurry breathless by his knees,

peering over trays of octopus,

grimy origami, gold-capped grins,

and gutters trickling urine through a world

big as the sky from Fuji to the bay

where white-crowned trawlers sail.

 

In an alley he tells me that tailless dogs

float in the moat of the Imperial Palace

but the Emperor won’t even kill a bug.

“Where’s the base,” I cry, “are we lost?”

Dad laughs.  Columbus was another man

who didn’t know where he was.


Victory at Sea, Epilog

 

The priest thanked us for the Ovaltine, the lady

whose parlor it was joked about other ‘visitors’

meaning the centipedes undulating swiftly across

the carpet, yet when I repeated the mot she frowned

and mother chided me, right there on the ruffled chintz.

It was Asia, after all, and the transplantation

never quite works:  see Francis Xavier or our officers

who, when the band in the O Club played as a joke

the old Imperial Navy anthem, and the old

SDF Captain abruptly stood to attention weeping

changed their laughter to applause, not knowing

which was the greater insult.  Then the maid said

bombs had fallen not far from our quarters not long ago

and I was so young – I would be so young so long —

I said ‘Cool’ and she must have been afraid

to argue, I guess, which is what it means to win,

especially to boys and nations just waking,

splitting a fine silk cocoon.


Children of the Cold War

 

We had fan-leafed shrubs in flower beds, lined

with round rocks painted the official white

of an undress tropical uniform,

streets named after Naval Heroes, and green

signs stencilled in classified acronyms.

Nukes filled the bunkers beside the golf course

and dependents’ beach, but I wasn’t scared:

when I was five, father said the Russians

were fifty miles off.

Anyone will dream

about the town they came from and wonder

how the folks are getting on.  When I wake,

I know that  my friends have rotated out

and the natives have completely outgrown

subservient pidgin.

Classes in Quonsets,

theaters with geckos and mosquitos —

some of my friends swore in five foreign tongues

but under it all spoke the one language

of housing, billets, and tours of duty,

marking each other by their fathers’ ranks

and planning on careers in the same trade

that would bind us forever to the threat.

 

We hardly knew the country we were from,

and even today when I see the flag

and something like patriotism swells,

I see jungles, pagodas, and bronze seas,

and feel again the twinge of having served

a land that we’d return to as strangers.


EMPIRE

Driving from Clark AFB to USNAVSTA Subic Bay, 1968

 

Two officers propped up starched white hats,

cool and rough as concrete, the visors shiny.

The mocha chauffeur cornered briskly,

black hair reflecting the shifting lights

of jeepneys and sari-sari stores.  Headlights

ignited the puddled streets, then the moon

glowed softly from the flooded paddies.

 

In Danilupihan, midnight growled

with trucks from Manila, while faces

watched from the crowd to rise in turn

like the drowned of several days.  Kids’ faces,

eyes clashing with their smiles,

drifted to the ports of our pale gray van,

offering Juicy Fruit packs like bouquets

islanders offer the rare tramp steamer.

 

I had only my phrase-book words, precleared

by DoD:  “We are friends.”  “We come in peace.”

“How many were there?”  “How many — Soldiers/

Planes/Trucks/Tanks?”  “I must have — Food/Medicine/

Porters/Guides.”  “Do not run away.”  “Obey or I shoot.”

 

My first dawn opened on mountains where dew

billowed in clouds from the jungled valleys.

In the west the sun’s early beams made stars

on the rippling plane of the South China Sea.

Birds, loud and garish, ravished the flowers

that had burst like flames by the close-clipped lawns

around prefab quarters and quonset huts.

 

As the maid brought breakfast, a troop of apes

scaled the chainlink fence to take bananas

from the Navy’s trees, thieving and mating

as we watched from behind our trembling curtains.

In an hour they’d gone, except for one,

who observed us from the fence, eyebrow cocked,

and scratched his chin.  Not in wonder,

but something like an old man at the zoo.


The Destroyer Evans

SEATO Manuevers, 1969

 

One shimmering day well out at sea

the Evans joined a game

of twists and swirls — a kind of dance

for ladies with heroes’ names.

 

Though she had sailed the South China Sea

and cruised the Sea of Japan,

sailors who slept in her sheet steel womb

called her an old tin can —

 

till the next typhoon off Kwajelein,

or gale in Puget Sound,

or somewhere else the sea turned mad

and she’s all they had for ground.

 

Then the Evans’ embrace was sweeter

than a girl’s in Sasebo

or Cam Rahn Bay, or even the lips

of lewd Olongapo.

 

Today the sailors led the ball;

among them dolphins swam,

amazed at the grace of all the belles

spared from Viet Nam.

 

The Evans matched a carrier’s step,

in the role of lead escort.

They zigged and zagged, then one of them

stepped starboard instead of port.

 

Oh I can see the flying fish

take wing at this faux pas,

and shamefaced dolphins diving deep,

who pretend they never saw.

 

But through the fleet the sailors heard

that rude and sudden noise

of ballerinas tumbling from

the arms of careless boys.

 

The big Australian carrier,

though dinged, stayed watertight

with bulkheads shut, but the Evans

was lost in fading light.

 

Searchlights glimmered on the waves

as came the tropic dark;

choppers shuddered the evening haze

but each eye missed the mark.

 

The Evans’ crew worked by the book,

for their ship and for their lives,

and for the thought of steaming home

to girlfriends, whores, or wives.

 

But their gray mother holds them now,

five thousand fathom deep.

A colder berth’s not found on earth,

yet there her children sleep.


Accidental Crash of an F-4 Phantom

NAS Cubi Point, 1968

 

Two suns lit the west, then one, and fragments

of early dusk smoldered on the hillside

overlooking the bay.  Aborted armaments

glittered with the spangled waves, and the tide

bore the sirens’ dim, reflexive wailing.

Light ebbed as choppers descended like crows.

Luminous fingers probed the dark scorching

night.  The official count of objects rose.

 

Come morning, dispatches burned like incense

for the families of the pilots:  How the two

banked, not hard, but angelically to port.

How they met the unauthorized presence.

How the remaining pieces of tissue

all flew to the Naval Hospital Morgue.


Post 360 Does the Death March

Spring, 1969

 

Each year the scouts leave base and kick up dust

all eighty klics from Tarlac to Bataan,

like the army that MacArthur left to die

that hot, dry Easter.  Passionaras pray

on PA systems screeching through the smell

of every thatched and straggling barrio,

wailing for all the dying Christs in tones

that seep from church to sari-sari store

then wash back where a jukebox plays the Doors.

 

We march past cardboard huts with roofs of cans

stolen from our trash and put to use; we

point out penitentes in their robes

of purple nylon, real thorns, and crosses borne

like M-60s on marines.  We think God

will always have a softer sun for us

than for the flagellantes and their cats

of nine glass-tipped tails.  After two days,

sunburned, skinned with dirt, we find the hills.

 

We see the first battle markers; it’s strange

to hear the old rap of heroes, heatstroke,

and wicked guards with grooved bayonets.  Like

we can think of anything now but water

from a tap, a coke, an air-conditioned nap,

and maids to do our laundry.  But we sing,

pound our heels, and wave at local girls.

 

It’s when we see this guy who has no lips

(some Jap interrogator’s joke) we think

of what it might be like to have to stay.

We sort of look away but then he smiles —

maybe on purpose, maybe for effect;

it’s all a God or idiot could say.

And as we pass we leave him cigarettes..


Jungle Environmental Survival Training

Subic Bay, RP 1969

 

We were young but not all that much younger

than the marines training there.  We were just

boy scouts in camouflage, who found it cool

to watch the Negrito staff make a fire

from skillfully-hacked bamboo.  They gave us

weirdly helpful advice:  which plants to use

for treating snake bites; how rubber sap works

with raw mango for trapping fruit bats; even

how to escape a python (poke his eyes).

.

Then we saw the menagerie:  monkeys,

parrots, then at last a concrete pit

holding monitor lizards five feet long,

and most of that jaw.  They looked almost tame;

like trophies except for the eyelids, which

at long intervals blinked.  A big nothing,

we thought, till someone tossed in rats, who screamed

the way rats can, while still falling.  They hit

that inch or two of water and were stunned.

 

They quickly recovered and began to claw

intently on the unforgiving wall.

The monitors blinked.  In less time than that,

they each had their mouthful of dying rat,

and we – the joking high-schoolers – just stood,

stupid with awe.  A pair of marines watched,

grinning but not amused.  It goes that fast,

they might have said, but didn’t need to now.


Corregidor

 

It was a place for family picnics then,

its coast artillery frozen in the sun;

when I scaled an eight inch gun, my hands

turned the color of mecurochromed scabs.

 

We followed a parade of bermuda shorts

back in the bush, where blown out shells

of buildings stared eyeless.  We saw mortars

leaning punchdrunk in their concrete grottos

 

broken by roots but consoled by vines.

I picked up a bolt when dad looked away

and tucked it in my pants.  Then the guide said,

here MacArthur promised “I shall return.”

 

And somewhere else, I guessed, the 26th Cav

sullenly munched their final horse.  But there,

on the flip side of home, we were more beleaguered

by boredom and platoons of pretty snakes

 

caressing rusted relics aimed at sky.

When we finally sailed back, a storm blew in,

whipping up furrows of whitecaps and spray

that hardened into flocks of flying fish.

 

Maybe the folks were shocked it seemed so old

because headlines never yellow in our minds.

I was fifteen.  I rode the rocking waves,

and may as well have walked upon the moon.


Phobia

 

The white spider covered my hand

and paused, seemingly surprised to find

something warm among the leaf litter.

I’d always been afraid of spiders,

but that night in the jungle, in the rain,

teeth chattering, I could almost laugh

at the irony of freezing, or of finding

comfort in the touch of something live.

It scampered off when the lightning

switched to black, but a thousand lesser

creatures slithered up to stripmine my skin

and make me regret the hunter leaving,

made me believe that in wanting it back

I had somehow conquered a fear.


Fruit Bats at Dusk

Subic Bay, 1970

 

As the sun slipped from the jungle they woke

and followed to the western edge of sea.

When it flashed in bands of violet and mauve,

 

they wheeled under stone gray clouds, forming ranks

where the world drops off, and marking files

with lazy fingers stretched as far as yours.

 

And while the first ones crossed the glowing bay,

aiming for their obscure goal, others still climbed

like secrets in a reticent twilight.

 

I was halfway down the hill when I stopped

and listened as the darkness whispered

from the sky they mastered to the fading base

 

of concrete slabs and quonset huts,

where the masts gathered like a winter copse,

and warplanes hunched on the tarmac

 

like plovers on delicate nests.

Blue lights blinked back to heartbeat sweeps —

a sky completed with graceful gestures,

 

and the long dimming universe defined

as a trail from Zambales to Bataan, and the void

between our two forevers.

 


Venereal Disease

U.S. Naval Station, Subic Bay, Republic of the Philippines, 1969

 

I’ve just turned fifteen.  I look at the sea,

and every week of war another ship —

a carrier or a sway-backed LST —

lands sailors or marines for one last clip.

The ocean shines my future on its screen,

and it’s Tropical White, or Jungle Green.

 

My friends know all about rubbers; it seems

Olongapo was built for one night stands.

They sneak out to town for the local bands

(The Jokers, The In-Crowd, The Soul Supremes),

and watch b-girls do the bottle trick (no hands!)

or grind the caraboa for sticky dreams.

 

Not me.  I’m scared.  And a case of VD

or a bust by the local NIS

could scuttle my course to Annapolis,

or even — no shit — NROTC.

And I don’t want to think what I’d do then,

crapped down from Dependent to civilian.

 

But one day at the Station movie hall

I see grunts and squids being herded in

by a CPO who might have spawned them all.

The lifer pins me with a barstool grin,

says, You, too, little stud.  Next time you ball,

this’ll learn you what to stick your yinyang in.

 

So he winks me by with the kind of leer

you might see a satyr flash at a mirror

before hitting shore for a twelve hour leave.

Which to me is the face of Master Chief God,

the first adult I’ve ever met who thought

I looked old enough to slip on a sleeve.

 

But the flic’s a joke some thirty years old,

with every dude we’ve seen beside John Wayne

fighting our daddies’ war:  a Sweet Young Kid,

a Brooklyn Tough, a Towering Texan,

the Old Captain, and — finally, one change —

an intrepid young Hospital Corpsman.

 

Scene One:  a tin can’s sick bay.  Buried deep

in medical reports, the Corpsman frowns,

then hits his boss with news too hot to keep.

Skipper, he submits, our liberty town’s

got a rate of clap that will blow us down:

those harlots will butcher our boys like sheep!

 

The Old Man laughs but the Corpsman dutifully

pushes condoms while they’re cleaving sea.

It’s a twelve-pack the Texan cooly takes,

but the smartass from Brooklyn only makes

the crack about showering in a raincoat,

while Kid, our virgin, turns gray as the boat.

 

One reel later they’re cruising scuzzy bars,

chasing ugly sluts we jokingly call

Gonorrhea Gertie, Syphlitic Sal,

and Unspecified Lesion Flo.  The tars

sing “Bell Bottomed Trousers” with pelvic thrusts,

then surf upstairs on waves of beer-soaked lust.

 

Back on the ship it’s maybe the sixth day

before trouble begins, then each of them

unzips his putrid manhood for display.

Doc, they all whisper, I got a problem.

And so do we when we cop a visual

at the ways a dick can turn unusual.

 

Brooklyn’s no surprise, but how come the Kid?

We all scream when he mumbles his excuse:

She was a nice girl, Doc . . .  Oh hopeless squid,

like you could ever land what wasn’t loose!

And then the Texan makes us jump and shout

when he drawls, Well, Doc, Ah ‘spect Ah ran out.

 

Yet all’s not grins on the Good Ship Chancre,

for now from the slithering depths we see

Hans Conreid’s U-Boat rise like a pecker,

probing for our ship (traditionally ‘she’).

Then views through its periscope take their turns

with our crew in their bunks, groaning It burns!

 

When Battle Stations sounds they rise alarmed,

and quickly drop their helmets on their toes,

stumble in the gangways, trip over hose,

and send depth charges rolling off unarmed.

Only the Corpsman, who wrapped his roger,

stands between the Navy and disaster.

 

He blows the unaccountably surfaced sub

out of the water with the forward gun,

saving his charges on the old gray tub,

making the moral and morality one.

But later as I leave the darkened hall

I hear my new-found brothers trash it all.

 

Most of the squids say the Navy itself

is a rubber, giving security

while you’re being fucked.  And even the grunts

wonder why the hell they should guarantee

healthy johnsons for Uncle Sam’s brass cunts

just so’s Victor Charlie can shoot them off.

 

I nod with the others and say, No shit,

passing, I think, for a young enlistee,

and thinking that, for today at least,

all it takes to be a man is to spit

out a curse when you’re told what’s good for you

and laugh in it’s face, knowing that what’s true

 

is our asses are there for more than sex

but a whole lot less than undying love,

and that the ships that leave have roomy decks,

and so do the Hueys farting above,

and we’re just fingers on a starched white glove,

or stenciled names on personal effects.

 

And what that old Chief knows, there by the door,

as he hustles us young studs in and through,

is that we’ll be as ready as any whore

when it’s anyone’s meat that will do.


Hitching in Subic

 

With six San Miguels and Tanduay rum

we set out from Cubi to Kalayaan,

spent years walking drunk down one midnight road,

then slumped by the only streetlight for miles.

 

In that one stretch you couldn’t see the ships,

bomb-laden warplanes, or uniformed kids

nervously stalking the liberty port

for any fight that wouldn’t get them killed.

 

Still, we weren’t alone.  Behind, in the glare,

while the gutted Spanish magazine stared

like a blind-drunk squid in Olongapo,

the jungle branches swayed like stoned marines.

 

And in the hazy globe itself we saw —

so close we could touch them — a thousand bats,

staggered and reeling in plastered orbits,

the Navy’s fireball glowing through their wings.

 

We laughed as they lurched after flying bugs,

seeming no more hunters than boys in town

to whores in the same light.  But in an hour

we dropped the jokes about Sports From Mars

 

and fixed instead where flights came together

and the resulting fires seared through the night

with reflections from another context,

from the hidden end of the asphalt road.

 

Because there we saw across the black lanes

that reached the edge of this flickering star,

to depths of evenings thicker than jungle,

and our own dark ride to another shore.

 


Jungle in the Rain

 

The boys wearing camouflage tried to joke

while strapping on packs and extra canteens.

The thunder pounded like four-deuce mortars

and the rain barraging the hut=s thatched roof

laid three hundred meters of liquid day

over the slope that led to the bivouac.

 

There leaves clustered with tendrils — skeins of snakes,

binding tree trunks buttressed with rocket-fin roots.

Dark in the gaps where the branches probed

like skywalks through the alcoved canopy,

the bush rose, gauze-curtained with midday mist,

cloud fingers raking its crown.  I imagined

 

enormous and unreal creatures enthroned

among fragile lattices ten stories up.

Not them, but something still almost human,

who=d study us with the gentle contempt

of gods on Olympus:  pale, giant apes

moving to muffled Wagnerian motifs.

 

Stately and omniscient, their coarse fur drenched

and matted where they=d rested on the bark,

they=d glean birds= eggs, insects, half-rotted fruit,

steeped in the dripping amniotic dank,

and need nothing else, not even the thought

of an end to the rain, a glimpse of sky.


Counterfeit War Poem for Martin

 

Once or twice, but it felt like a hundred times:

sweat tickling my scalp like a spider and

the sudden thought that the magazine might jam,

 

leaving me out there bare-assed, a bad comedian

with an audience of Kalashnikovs.

For me the jungle never got that cruel,

 

though I remember faces I’d sooner forget,

the peculiar smells of burning blood

and rations spilled from split intestines.

 

Then the joke they told the rest of my tour:

all night on ambush with no shots fired,

but as we rose, silently, to leave,

 

the kid behind me gasping, then laughing

in relief  to gasp again.  “Christ,” he explained,

pointing to where I squatted through the night,

 

“I thought you shit your pants.”  The cobra coiled,

missing its source of warmth;

the only thing that missed me over there.


Carillo’s Legs

 

It still didn’t feel like putting on shoes,

though he only lost the stuff below his knees.

He was this kind of grunt:  he barked at his bros

(in the lucid moments, between morphine and pain),

Waste me if I lose anything vital.

 

That Christmas in our dorm we tried to help

by fixing him up with dates who were blind

in just the right way.  The one who made it

stayed on the line when she asked him his height

and he asked back, With, or without, my legs?

 

His legs — things he strapped on in the morning,

took off in bars, and swung at the cowboys,

kicking them upside the head as they stared.

An ambush as cold as that VC wire

the week some dogface mother iced a monk.

 

His second week.  For his present that year

we gave him a bag of plastic GIs —

charging, shooting, throwing grenades.

Each a regular Sergeant Rock, but clipped

a penny’s width above their little boots.

 

We laughed.  His date was shocked.  He killed a wink

and let the lady help him to his room.


Sunrise on the Navy Yard

 

At o-dark-thirty, dawn’s first light

is always ashen, never blue.

Somewhere an OPNAV directive

laid it down

 

with avgas and steam

exhaled from yawning vents,

and trumpet calls on concrete slabs

like paint on pockmarked steel.

 

In the buildings, Admirals

ponder desks and order plaques.

Ensigns say “Out-standing, sir!”

while boldly launching forms.

 

But I’m an issue-gray civilian here,

that broad river to the sea

floats cups and butts up to my desk,

lays fog outside my door.

 

And every morning’s winter

under slap happy flags;

down on the oily wharf, the ducks

forget to fly away.


Arlington Cemetery

 

When a mourner smiles at cherry blossoms,

a mockingbird clutches a slab and sings,

and squirrels drop like jokes from sober trees.

 

Where backhoed dirt receives the spoiled seed,

soldiers with banners and drums and fifes

attend to their ranks like postcards of war.

 

When the officer barks and rifles pop

in decorative echoes of battle,

squirrels cry through bared incisors.

 

And later, when Taps erodes to silence,

the mockingbird raises its head and riffs

on the theme of the last three untimed notes.

 

Cool white stones parade the livid green:

ensign, sergeant, beloved wife.

Tour buses teem with echoes of life.

 

Outside, the planes and cars and bikes

glide on, serenely immortal.


Autobiography

Part I, Childhood

 

I’m four years old and the family moves.

To Japan.  By ship.  For two weeks

there’s no land.  I’m four years old.

My brother tells me there are submarines.

Later in school when they teach me,

I have no problem believing

the earth’s three-quarters saline.

Part II, Adolescence

 

What’s it all mean?

He grabs me by my shirt

like I could save him from drowning,

looks around the campus, and says,

There’s so much youth here!

It’s true.  The streets crawl

with hopeful excited faces

like spiders on an abandoned farm.

Part III, Work

 

Later some other guy tells me,

in some unbelievably shabby office,

while I’m reading some incredibly dry

Civil Service Commission standards

describing jobs you’d never dream of,

that work itself is fascinating —

the way a waiter puts down a plate

or an accountant totes his numbers even —

anything done with care and skill.

I’m checking the clock while he says this.

 

 

Part IV, Art

 

I take up writing for my soul and see

writers in rooms full of people declaiming

to themselves.  Workshops suck me in

like twelve-step programs for sensitive types

who don’t know this is the last place to get laid.

The insular poems and stories rebound

like e-mail in an oyster bed.

Part V, Domestic Life

 

One day a squirrel falls from a tree.

My wife feeds it and, for the next six years,

we have a pet who’s hell on bookcases.

Has a thing for electric wire and kills my mouse.

But becomes my secret idol, a special muse

whose excursions around my study are for me

an active form of meditation.  When she dies,

having convulsions in my hands, I pray to God

before realizing He’s the same son-of-a-bitch

who put us here in the first place and makes life

the eternal joke without a punchline.

Part VI, The Wisdom of Age

 

That’s really all.  What more can you hope for?

Other than what there is on QVC.

The river in all its seasons, maybe.

The punctual catbird returning each May.

The blessing of three or four generations

of dogs with lovesick eyes.  Oh Lord,

were it all that easy we’d never know fear,

and every time some driver cut you off,

or boss or lover confirmed the secret truth

of your own inadequacy, then punchline

or no punchline, you really would just laugh.


Chopstick Holders

 

Brett and I feel too old to be his heirs.

We stand like the staff of an army in retreat,

helping the old man lighten the baggage.  He keeps

a gray scrapbook of marines in Korean lairs —

tough kids who grin from their cracking corners.

And he takes a pot for his apartment kitchen,

but not much else leaves his custom mansion

(once the palace of his retirement, and now the court

of a second angry wife).  We hurry the work,

throwing relics into impromptu containers.

 

A lacquered box appears.  “This was your mother’s,”

he says, as if we were strangers, then uncovers

and sorts them out in pairs.  Japanese ceramics;

subtly tinted flora and fauna.  Brett takes the fish,

while I cull radishes, turnips, and leeks.

They were cheap back then, like all our Asian booty —

mahogany knicknacks and ivory statuettes,

six or eight photos of mom by the Taj Mahal.

Now we can only guess at a market value,

or how the distant stone might sum up his regrets.

 

“Wife of,” it says, just above his name and rank.

Unsteady on his sea legs, our ancient Captain

says, “Just one more thing I got no use for,”

in the same voice that told us of the war

and our own or even the Chinese wounded,

how he patched them up in the snow and got them back

where the doctors sorted living from dead.

Brett and I watch each other as we pack

and wonder how a lonely man’s career

encompassed first a Caesar, then a Lear.

 

He wants us to keep them.  We argue, then give in,

and soon leave, feeling a bit like deserters.

Sometimes a gift’s just taking what’s given.

I really have no use for chopstick holders.


Her Friends Called Her Pat

 

Again the Saltan casts off for Japan,

a flimsy chance we lean on.  Mother waits

with coffee at the Formica table,

cool aluminum legs descending to

 

a vaguely floral linoleum, browned

lightly around the edges.  Behind her,

the oven holds a pan of packaged corn bread

she always cooks too dry.  If she just asks,

 

I could say I’m sorry I still don’t know,

but have one of her unfinished paintings.

There’s always a chance good will come of it.

Someone has to win the lottery, and then

 

everyone around them becomes nicer,

better looking.  She never had this smile

that curls behind a streamer of smoke

falling from heaven to her cigarette –

 

a paper ribbon we threw overboard

to friends ashore as sailors cast the lines.

When I was four she told me to hold on,

even after it broke, and I obeyed.


Acknowledgements

Amelia, “Hitching in Subic”; ELF, “Sunrise on the Navy Yard”; Folio, “Carillo’s Legs”; Good Foot, “Her Friends Called Her Pat,” “Jungle Environmental Survival Training”; Hampden-Sydney Poetry Review, “Chopstick Holders”; Heliotrope, “Run Spot, Run”; Illuminations, “Phobia,” “USN”; Imago (Australia), “Accidental Crash of an F-4 Phantom”; Mandrake Poetry Magazine, “Venereal Disease”; Pearl, “Children of the Cold War”; Pivot, “Corregidor”; Plastic Tower, “Post 360 Does the Death March”; Poetry Ireland, “Arlington Cemetery,” “Autobiography”; Printed Matter (Japan), “Lost in Yokohama”; Rattle, “Empire”; Sonoma Mandala, “The Destroyer Evans”; Takahe (New Zealand), “Fruit Bats at Dusk”; Valley Micropress (New Zealand), “Counterfeit War Poem for Martin”; Waterways, “Victory at Sea, Epilog.”

 

“Corregidor,” “Fruit Bats at Dusk,” “Lost in Yokohama,” and “Post 360 Does the Death March” also appeared in an earlier volume, The Good Opinion of Squirrels (Word Works and the Washington Writer’s Center, 1996).